FIVE SOLOS IN DENMARK
2024
EGE ARP-HANSEN
GALLERI KULTURSTATIONEN HUMLEBÆK
HUMLEBÆK CENTER 44
HUMLEBÆK
5 OCTOBER TO 8 DECEMBER 2024
OPEN SATURDAY AND SUNDAY
12 – 17
AND BY APPOINTMENT
OPENING RECEPTION 5 OCTOBER 13-16
About 40 works have been installed in different spaces at KulturStationen. It’s my biggest exhibition to date.
Some paintings are spanking new, created in my studio in Humlebaek this summer, others have been on a tour of Greater Copenhagen since New Years: Copenhagen City, Tåstrup, Vedbæk, Havneholmen and now two months in Humlebæk.
Works from different series and techniques have been installed in The Long Corridor, the permanent installation in The Conference Room, new works in the stair well and folded paintings in the Gallery space itself.
Ole Schwander, curator of Kunstvinduet (the Art Window), Copenhagen, wrote in connection with my two month solo there July/August 2024 among other things this about my Folded Works:
“In the works there is a balance between the predictable and the spontaneous, where planning meets artistic intuition. It is this duality that makes the works so attractive and invites the spectator to reflect on the many dimensions of reality and our way of experiencing the world. At a time when art is constantly challenging and reinventing itself, Ege’s works stand as a significant example of how traditional media can be transformed and given new life through innovative techniques. By forming folds in the canvas, he not only creates a visually impressive work, but also a deeper connection between art, light, shadow and shape – a tribute to both the simple and the complex in art.”
SOUND OF SILENCE
GALLERI NYBRO
SANKT PEDERS STRÆDE 21
COPENHAGEN
26 JANUARY TO 4 FEBRUARY 2024
OPEN EVERY DAY
12 – 18
AND BY APPOINTMENT
OPENING RECEPTION 25 JANUARY 16-20
“It’s a great pleasure to present Ege Arp-Hansen’s first solo exhibition in our beautiful, new premises in Sankt Peders Stræde 21, in the very heart of the old town in Copenhagen. It’s his fourth solo with the gallery.
“sound of silence” focuses on Ege Arp-Hansens unique folded paintings, “ripples”, a group of work he’s been developing and working with over the past 10 years. 30 works will be shown, primarily brand new from two series created within the past year.
He’s deeply fascinated by all the colours of the rainbow and also uses them here, but the individual works are often monochromatic, regularly with the application of only one pigment.
The canvas, its structure and other physical qualities are always an integrated part of his paintings expression. Most clearly in these folded works, where the canvas is explored as a manipulatable material, cloth, matter, which is folded and worked rhythmically into something which reminds many people of the surface of water.
The stretchers profile, form and spatial presence under the canvas is an essential part of the work, not just a hidden necessity. They’re sourced and constructed with great care, before the finished pieces of canvas are mounted around them.
The works hereby moves into a three dimensional space, somewhere between painting and sculpture.
Their expression change radically according to the light, its intensity, quality and the angle from which you look. When you move, you experience how colour, patterns, and glistening reflections arise, change, disappear and new constellations emerge. There is no golden cut. The centre is everywhere. The works seem to exist in constant transformation, but still remain as they were created. They’re all untitled, and thereby don’t lead- or mislead the spectator in relation to an interpretation. In Ege Arp-Hansen’s art choices and possibilities are offered, not one dimensional answers.
Ege Arp-Hansen is fascinated by the small in the large and the immense in the minute, by subtle nuances, modulations and rhythms evenly distributed over the whole surface of the canvas, moving from the totally soft, whispering, over the sizzling, to the very sensual. He’s working to attain an inherent, meditative peace and balance, also in the most intense and colour-packed works.
This peace and balance is at the very heart of his working process. It’s here he finds his inspiration. Going about his daily work in the studio between the forest and the sea. To the sound of silence…”
GALLERI KINGO
KINGOSVEJ 1A
TAASTRUP
4 APRIL TO 30 APRIL 2024
OPEN
TUESDAY TO FRIDAY 13-16
SUNDAYS 7 and 28 APRIL 13-16
OPENING RECEPTION
4 APRIL 18-20
& JUULAGER
VEDBÆK STATIONSVEJ 18
VEDBÆK
6 JUNE TO MID SEPTEMBER 2024
OPEN
TUESDAY TO THURSDAY 9-17.30
FRIDAY 9-18
SATURDAY 8-13
SUNDAY AND MONDAY CLOSED
KUNSTVINDUET
HAVNEHOLMEN 80
COPENHAGEN V
30 JUNE TO 28 AUGUST 2024
OPEN
24/7
OPENING RECEPTION
30 JUNE 15-17
Ole Schwander, curator of Kunstvinduet (the Art Window), writes:
THE ARTIST WHO FOLDS THE CANVAS TO LIFE
With an innovative approach that blends traditional painting techniques with sculptural measures, Ege Arp-Hansen manages to create works that play with light and shadow. He starts the work like any other painter with a blank canvas. But what sets him apart from others is the transformative process that follows the painting process. He selects few pigments for each canvas, often only one that, in dilutions of varying degrees, is applied in many transparent layers.
When the painting is complete, he embarks on a careful folding of the canvas, which is done to highlight certain elements of the painted image and create a depth, which it otherwise would be impossible to achieve on a flat and even surface. This technique creates a relief effect where parts of the painting emerge while others step back. Light and shadow play on the folded surfaces, giving the work a dynamic and vibrant character.
In the works there is a balance between the predictable and the spontaneous, where planning meets artistic intuition. It is this duality that makes the works so attractive and invites the spectator to reflect on the many dimensions of reality and our way of experiencing the world. At a time when art is constantly challenging and reinventing itself, Ege’s works stand as a significant example of how traditional media can be transformed and given new life through innovative techniques. By forming folds in the canvas, he not only creates a visually impressive work, but also a deeper connection between art, light, shadow and shape – a tribute to both the simple and the complex in art.
SOLO IN DENMARK
2023
FOREVER AND A DAY
GALLERI NYBRO
NYBROGADE 30
COPENHAGEN
24 FEBRUARY TO 5 MARCH 2023
OPEN EVERY DAY
12 – 18
DESIGN SHANGHAI
WITH YUDIAN ART
8 – 11 JUNE 2023
I will be participating in Design Shanghai from 8 – 11 June 2023 through my representative for China, Hong Kong, Macau and Taiwan, Yudian Art. They will exhibit “at the end of the universe – right here” 145 x 115 cm (seen below) from 2018. With about 70.000 visitors this fair is concidered one of the most important design fairs in Asia in witch many art galleries also participate.
GROUP SHOW
UFT – UFT – UFT – UFT
UDSTILLINGSSTED FOR TEKSTIL
COPENHAGEN
29 JULY – 2 SEPTEMBER 2023
GROUP SHOW
ANNABORG ART CENTRE
HILLEROD, DK
17 AUGUST TO 10 SEPTEMBER 2023
THURSDAY TO SUNDAY 12 – 16
OPEN DOORS
AT 100 ARTISTS IN NORTH ZEALAND
SATURDAY 2 AND SUNDAY 3 SEPTEMBER 2023
EVERY DAY 11 – 17
PAST 2022 SELECTED
EXHIBITION IN CHINA
YUDIAN ART GALLERY
HANGZHOU
“INFINITY ETERNITY”
PRESENTING 4 ARTISTS
26 APRIL TO 30 JUNE 2022
(extended)
I’m very happy to announce that my new representative for China is Yudian Art Gallery in Hangzhou, not far from Shanghai.
Capital during the Southern Song Dynasty, then and now one of the world’s most prosperous and sophisticated cities. Since ancient times home to numerous philosophers, artists and men of literature who were attracted to and inspired by the beauty of its mythic West Lake.
Yudian Art, with galleries in downtown and in the brand new Tian Muli Centre designed by Renso Piano, who’s probably most famous for having co-designed Centre Pompidou in Paris, will from now on be my exclusive representative in Mainland China, Hong Kong, Macau and Taiwan.
SHENZHEN CREATIVE WEEK
WITH YUDIAN GALLERY
25 – 28 JULY 2022
I will be participating in Shenzhen Creative Week from 25 – 28 July 2022 through my representative for China, Hong Kong, Macau and Taiwan, Yudian Gallery, with the painting above: “foundation of everything and nothing”, measuring 145 cm x 115 cm.
Shenzhen, immediate neighbour to Hong Kong, is with about 17 million inhabitants the fourth largest city in China.
GROUP SHOW
IN
DENMARK
MARIENLYST CASTLE
ELSINORE
27 AUGUST TO 11 SEPTEMBER 2022
EVERY DAY 12 – 17
OPEN DOORS AT 100 ARTISTS IN NORTH ZEALAND
SATURDAY 3 AND SUNDAY 4 SEPTEMBER 2022
EVERY DAY 11 – 17
ART TALK
KULTURSTATIONEN
HUMLEBÆK
INFINITY
ETERNITY
BEGINNING
END
MEET THE VICAR AND THE ARTIST
27 OCTOBER 2022
PAST SOLOS IN DENMARK 2022
GALLERI NYBRO
NYBROGADE 30
COPENHAGEN
1 APRIL TO 10 APRIL 2022
OPEN EVERY DAY
12 – 18
LIBRARY EXHIBITION HALL
HUMLEBÆK
5 MARCH TO 19 MARCH 2022
PAST 2021 SELECTED
SOLO
GALLERI NYBRO
COPENHAGEN
27 JULY TO 22 AUGUST 2021
GROUP SHOW
ANNABORG ART CENTRE
HILLEROD, DK
21 OCTOBER TO 21 NOVEMBER 2021
THURSDAY TO SUNDAY 12 – 16
PAST 2020
Interesting review of this 3 month solo exhibition in “KunstAvisen” No. 9 October/November 2020 (i.e. “The Art Magazine”, the oldest Danish art magazine, original text further down)
“origin” – Ege Arp-Hansen solo exhibition at KulturStationen, Humlebæk, Denmark
By Lis Engel
If the experience of the show should be described with two words they could be Silence and Beauty. Moving into this sublime exhibition is quite an extraordinary experience which I warmly recommend.
ABSTRACT PAINTING
Ege Arp-Hansen is an abstract painter who art historically can be seen in continuation of Minimalism, but with his totally own way of exploring and unfolding the possibilities of modern abstract painting, possessing an intense curiosity for colour and media. He creates a host of sublime qualities, which are often absent in contemporary painting. What qualities then characterize the exhibition?
This can’t be answered conclusively, but there is an intensity and sensuality in the way Ege Arp-Hansen unfolds his serial work. He often works in series, often monochromatically, and at the same time with a sensitivity for subtle nuances and rhythms, which can be seen both in the modulation of colour and in the tactility of colour as quality and composition.
THE NUMINOUS AND THE EROTIC
At times paintings hover in a series of transparent apparitions, for instance unfolded in the completely light wall, where you are invited to disappear into the white light and the delicately modulated pastel tones from cool to warm in a tender transformation of light.
Other pictures investigate intensively the tactile and can reinforce the experience of rhythm as a physical quality. This can for instance be seen in the folded paintings and their deep sense of rhythm and movement through folding, and also in works with more pastose application of colour. Here the colour scale span from intense, strong reds, rose and apricot, through metallic, dark and violet in different smaller series and solo works. These are works which might open up the possibility of experiencing the fantastic, the erotic and at the same time voluptuous and totally transgressive. An enormous span and at the same time with a wonderful wholeness and coherence.
Perhaps the qualities can be described as limitless, the eternal, without beginning and end, but also filled with a sensuality and intensity, creating a sensation of bliss, of the wonderful.
TOTAL INSTALLATION
The exhibition itself, experienced as a whole in the raw space, is totally unique in the way it’s succeeded to create a symphony of colour, rhythm, which transcends the individual work, into a totality, where the serially hung paintings create gentle shifts and layers of meaning, which at the same time are totally abstract, but also tuned – like visual music. It is exiting to immerse oneself and experience the span, which goes from the completely gentle, whispering, to intensely passionate – not as qualities, which are separate, but as qualities which are present in the individual work and in the whole as an omnipresent tone.
Begejstret anmeldelse af “origin” i KunstAvisen No. 9 Oktober/November 2020:
Ege Arp-Hansen origin Review in KunstAvisen 2020
GALLERI NYBRO
30 NYBROGADE, 1203 COPENHAGEN
X-MAS GROUP SHOW
TUESDAY 8 DECEMBER 2020 – SUNDAY 20 DECEMBER 2020
OPEN EVERY DAY INCL. SUNDAY
13 – 17
IN COPENHAGEN’S CULTURAL CENTER BY FREDERIKSHOLM KANAL, CHRISTIANSBORG PALACE AND THE NATIONAL MUSEUM.
GALLERI NYBRO
30 NYBROGADE, 1203 COPENHAGEN
from here to nowhere
FRIDAY 17 JULY 2020 – SUNDAY 2 AUGUST 2020
OPEN EVERY DAY INCL. SUNDAY
10 – 17
IN COPENHAGEN’S CULTURAL CENTER BY FREDERIKSHOLM KANAL, CHRISTIANSBORG PALACE AND THE NATIONAL MUSEUM.
Instagram Screenshot_2023-02-12 Ege Arp-Hansen
Vanity Fair, Home Is Where The Art Is… June 2020:
EGE-ARP HANSEN_VANITY FAIR_06_07_HIWTAI.indd-1Vanity Fair, Home Is Where The Art Is… July/August 2020:
EGE-ARP HANSEN_VANITY FAIR_JULY_AUGUSTVanity Fair, Home Is Where The Art Is… September 2020:
EGE-ARP HANSEN_Vanity_Fair_September_2020 .